cavetocanvas:

John Ruskin, Spanish Chestnut, n.d.

free-parking:

Michelangelo Pistoletto, Etruscan Holding Up A Mirror, 1976

Frieze highlight.

-

Neither More nor Less

Javier Téllez, 2013.

“The vervet monkey in Téllez’s work has outgrown the Realism of his ancestor monkey painters.”

cavetocanvas:

Adolph Gottlieb, Three Roman, 1962

whos-afraid-of-postblack-art:

Mark Bradford

Los Moscos

2004

mixed media on canvas

cavetocanvas:

Zao Wou-Ki, 10-3-73, 1973

cavetocanvas:

Zao Wou-Ki, 10-1-74, 1974

cavetocanvas:

Zao Wou-Ki, 10-3-85, 1985

thehammermuseum:

Self Portrait as Superman | A digital complement to LLYN FOULKES

Death Valley, U.S.A., 1963. Oil on canvas.The first of Llyn Foulkes’ postcard paintings bears an inscription that reads, “This painting is dedicated to the American,” in the handwriting of Ulysses S. Grant. This dedication appears in many of Foulkes’ later paintings.

theparisreview:

William Wegman, “Contemplating the Bust of Man Ray,” 1978.

pacegallery:

New work by Maya Lin exploring her longtime interest in environmental issues, including rising currents and climate change, and expanding her engagement with natural and geographic forms. 

© Maya Lin, courtesy Pace Gallery 

museumuesum:

ROBERT RAUSCHENBERG

Untitled, 1979

Solvent transfer and fabric collaged on paper, 23 x 31 1/2 inches

Memory Core Units

Eduardo Paolozzi, 1967.

Swingeing London 67 - poster

Richard Hamilton, 1967-1968. 

Was This Metal Monster Master - or Slave?

Eduardo Paolozzi, 1952.