cavetocanvas:

John Ruskin, Spanish Chestnut, n.d.

cavetocanvas:

John RuskinSpanish Chestnutn.d.

Reblogged from cavetocanvas with 282 notes

free-parking:

Michelangelo Pistoletto, Etruscan Holding Up A Mirror, 1976

free-parking:

Michelangelo Pistoletto, Etruscan Holding Up A Mirror, 1976

Reblogged from free-parking with 220 notes

Frieze highlight.
-
Neither More nor Less
Javier Téllez, 2013.
“The vervet monkey in Téllez’s work has outgrown the Realism of his ancestor monkey painters.”

Frieze highlight.

-

Neither More nor Less

Javier Téllez, 2013.

“The vervet monkey in Téllez’s work has outgrown the Realism of his ancestor monkey painters.”

cavetocanvas:

Adolph Gottlieb, Three Roman, 1962

cavetocanvas:

Adolph Gottlieb, Three Roman, 1962

Reblogged from cavetocanvas with 162 notes

whos-afraid-of-postblack-art:

Mark Bradford
Los Moscos
2004
mixed media on canvas

whos-afraid-of-postblack-art:

Mark Bradford

Los Moscos

2004

mixed media on canvas

Reblogged from cmonstah with 45 notes

cavetocanvas:

Zao Wou-Ki, 10-3-73, 1973

cavetocanvas:

Zao Wou-Ki, 10-3-73, 1973

Reblogged from cavetocanvas with 317 notes

cavetocanvas:

Zao Wou-Ki, 10-1-74, 1974

cavetocanvas:

Zao Wou-Ki, 10-1-74, 1974

Reblogged from cavetocanvas with 2,318 notes

cavetocanvas:

Zao Wou-Ki, 10-3-85, 1985

cavetocanvas:

Zao Wou-Ki, 10-3-85, 1985

Reblogged from cavetocanvas with 248 notes

thehammermuseum:

Self Portrait as Superman | A digital complement to LLYN FOULKES
Death Valley, U.S.A., 1963. Oil on canvas.The first of Llyn Foulkes’ postcard paintings bears an inscription that reads, “This painting is dedicated to the American,” in the handwriting of Ulysses S. Grant. This dedication appears in many of Foulkes’ later paintings.

thehammermuseum:

Self Portrait as Superman | A digital complement to LLYN FOULKES

Death Valley, U.S.A., 1963. Oil on canvas.The first of Llyn Foulkes’ postcard paintings bears an inscription that reads, “This painting is dedicated to the American,” in the handwriting of Ulysses S. Grant. This dedication appears in many of Foulkes’ later paintings.

Reblogged from thehammermuseum with 7 notes

theparisreview:

William Wegman, “Contemplating the Bust of Man Ray,” 1978.

theparisreview:

William Wegman, “Contemplating the Bust of Man Ray,” 1978.

Reblogged from theparisreview with 163 notes

pacegallery:

New work by Maya Lin exploring her longtime interest in environmental issues, including rising currents and climate change, and expanding her engagement with natural and geographic forms. 
© Maya Lin, courtesy Pace Gallery 

pacegallery:

New work by Maya Lin exploring her longtime interest in environmental issues, including rising currents and climate change, and expanding her engagement with natural and geographic forms. 

© Maya Lin, courtesy Pace Gallery 

Reblogged from pacegallery with 98 notes

museumuesum:

ROBERT RAUSCHENBERG
Untitled, 1979
Solvent transfer and fabric collaged on paper, 23 x 31 1/2 inches

museumuesum:

ROBERT RAUSCHENBERG

Untitled, 1979

Solvent transfer and fabric collaged on paper, 23 x 31 1/2 inches

Reblogged from museumuesum with 459 notes

Memory Core Units
Eduardo Paolozzi, 1967.

Memory Core Units

Eduardo Paolozzi, 1967.

Reblogged from anartreference with 127 notes

Swingeing London 67 - poster
Richard Hamilton, 1967-1968. 

Swingeing London 67 - poster

Richard Hamilton, 1967-1968. 

Reblogged from anartreference with 12 notes

Was This Metal Monster Master - or Slave?
Eduardo Paolozzi, 1952.

Was This Metal Monster Master - or Slave?

Eduardo Paolozzi, 1952.

Reblogged from anartreference with 3 notes